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Sonic Persuasion Reading Sound in the Recorded Age ~ Sonic Persuasion Reading Sound in the Recorded Age critically analyzes a range of sounds on vocal and musical recordings on the radio in film and in cartoons to show how sounds are used to persuade in subtle ways Greg Goodale explains how and to what effect sounds can be read like an aural text demonstrating this method by examining important audio cues such as dialect pausing and accent in presidential recordings at the turn of the twentieth century

Sonic Persuasion Reading Sound in the Recorded Age ~ Sonic Persuasion Reading Sound in the Recorded Age critically analyzes a range of sounds on vocal and musical recordings on the radio in film and in cartoons to show how sounds are used to persuade in subtle ways Greg Goodale explains how and to what effect sounds can be read like an aural text demonstrating this method by examining important audio cues such as dialect pausing and accent in presidential recordings at the turn of the twentieth century

Sonic Persuasion Reading Sound in the Recorded Age on JSTOR ~ Sonic Persuasion Reading Sound in the Recorded Age critically analyzes a range of sounds on vocal and musical recordings on the radio in film and in cartoons to show how sounds are used to persuade in subtle ways

SONIC PERSUASION READING SOUND IN THE RECORDED AGE ~ sonic persuasion reading sound in the recorded age Studies in Sensory History series by Greg Goodale Article in Oral History Review 392342344 · January 2012 with 12 Reads

Sonic Persuasion The Oral History Review Oxford Academic ~ Greg Goodale’s efforts in Sonic Persuasion bring to sound studies an examination of the semiotic and semantic facets of recorded sound Taking into account the wealth of sonic material within our immediate grasp—whether historic recordings or contemporary sound bites presidential addresses or cartoon sound effects—Goodale proposes that we pay critical attention to the ways in which we hear these recordings not just listen to them

Sonic Persuasion Reading Sound in the Recorded Age by ~ Sonic Persuasion Reading Sound in the Recorded Age critically analyzes a range of sounds on vocal and musical recordings on the radio in film and in cartoons to show how sounds are used to persuade in subtle ways Greg Goodale explains how and to what effect sounds can be read like an aural text demonstrating this method by examining important audio cues such as dialect pausing and accent in presidential recordings at the turn of the twentieth century

Sonic Persuasion Reading Sound in the Recorded Age UVA ~ This library is a Congressionally designated depository for Government documents Public access to the Government documents is guaranteed by public law

UI Press Greg Goodale Sonic Persuasion Reading Sound ~ Sonic Persuasion Reading Sound in the Recorded Age critically analyzes a range of sounds on vocal and musical recordings on the radio in film and in cartoons to show how sounds are used to persuade in subtle ways Greg Goodale explains how and to what effect sounds can be read like an aural text demonstrating this method by examining important audio cues such as dialect pausing and accent in presidential recordings at the turn of the twentieth century

Project MUSE Sonic Persuasion Reading Sound in the ~ Greg Goodale’s efforts in Sonic Persuasion bring to sound studies an examination of the semiotic and semantic facets of recorded sound Taking into account the wealth of sonic material within our immediate grasp—whether historic recordings or contemporary sound bites presidential addresses or cartoon sound effects—Goodale proposes that we pay critical attention to the ways in which we hear these recordings not just listen to them

Sonic Persuasion · Learning on Screen ~ The ability to record and playback sound has existed for over a hundred and thirty years Perhaps it’s the relative old age of this technology compared to its more youthful visual cousins film and television that has made the study of sound overlooked in terms of scholarly publications